Just take my money you futuristic gimmick.

Good writing is not a natural gift. You have to learn to write well. Here are 10 hints:

Read the Roman-Raphaelson book on writing. Read it three times.

Write the way you talk. Naturally.

Use short words, short sentences and short paragraphs.

Never use jargon words like reconceptualize, demassification, attitudinally, judgmentally. They are hallmarks of a pretentious ass.

Never write more than two pages on any subject.

Check your quotations.

Never send a letter or a memo on the day you write it. Read it aloud the next morning — and then edit it.

If it is something important, get a colleague to improve it.

Before you send your letter or your memo, make sure it is crystal clear what you want the recipient to do.

If you want ACTION, don’t write. Go and tell the guy what you want.


Ogilvy on writing
This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.
Kurt Vonnegut’s 2006 letter to a group of NYC high school students who’d written him, asking that he visit the school.

Kurt Vonnegut’s 2006 letter to a group of NYC high school students who’d written him, asking that he visit the school.

Twitter may (and probably will, possibly soon) die off; Facebook may (and probably will, possibly soon) die off; indeed, every geegaw we’re using to communicate with each other will die off and be replaced by something new. But that essential behavior—broadcasting bits of our thinkings and doings to other people who are interested to know them—will continue, in whatever form.

Clive Thompson, in a Q&A about his new book, “Smarter Than You Think”: http://nyr.kr/1dKs2Ir (via newyorker)

Reblogging for geegaw.

New trailer for Wes Anderson’s latest, THE GRAND BUDAPEST HOTEL

We remember.

We remember.

Kickstarter is not a zero-sum game where projects compete for pledges. All projects benefit from the network effect of a growing Kickstarter ecosystem.

Can’t put my finger on it, but Mumford and Sons looks a little … different?